Unofficial World Championship Checker Problem Composing Contest #3 | ||||||||||||||||||||||||||||||
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V. J. Parrot, the composer of V. J. #4 and Roy Little, the composer of Similarities who have tied with 15 votes. | ||||||||||||||||||||||||||||||
It is a Tie! We have two (2) new Unofficial World Co-Champion Checker Problem Composers who will reign together until the close of the next contest. A new record 40 votes were cast, which exceeds the participation in some major crossboard tournaments. The electronic tally shows 15 votes for Similarities, by Mr. Roy Little, the well-known, 75-year-old, master player from Oklahoma City, Oklahoma, and 15 votes for V. J. #4, by Mr. V. J. Parrot, who calls himself the quiet man from nowhere. Both of these gentlemen spent weeks fine-tuning these entries. Both are computerless composers. Neither winner cast a vote. All the Same, by Bill Salot, who was armed with a computer program and a vote, still trailed, garnering only 10 votes. He claims computers are poor composers. Similarities was so named because it bears a resemblance to an earlier unpublished version by Mr. Little. It combined several excellent ideas into a single distinguished problem: a direct press, an attacking pitch, an in-and-out maneuver, a deferred stroke, and a delicate 2x2 ending. V. J. #4 was so named because it was the fourth attempt by the mysterious V. J. Parrot to optimize his big block theme. He confidently settled on a series of four unlikely pitches. Before the contest, Messrs. Parrot and Salot discussed different settings leading to a big block, but could not agree on the one best. Salot favored the single four-way pitch in All the Same. They decided to settle the matter by entering both settings in the contest. Mr. Parrot proved his point. |
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